SEE...a wee bit late
Sorry for the delay, but thought you'd like my report about the Sounds Eclectic Evening (a KCRW affair at the Universal Amphitheatre).
The SEE show was such a wonderful, refreshing, fun evening. It was truly an old-fashioned variety show - so many people, so much different music. But
OK - let me start with Beck. He was warm, playful, engaging, in great voice and yet....I must admit I'm slightly disappointed - probably only
because I know his music so well and was really hoping he'd play something new - new for him, or new from an upcoming album. But we didn't
get that. The set he did, however, was great. Started out with Golden Age, then Lonesome Whistle - then a song from OFITG - Sleeping Bag. Then he
covered Big Star's Kangaroo (which he had done at several shows during the SC tours). Then a tribute to Elliott (sp?) Smith with two of his
songs. He shifted over to his funky keyboard with the drum machine - started out with a slow, soulful N&G, shifted into Hot in Herre (again sp?),
the crowd loved it- laughing along - then morphed into Two Turntables, but incorporated H in H into it. Lots of fun. Then back to the mike with his
guitar for Guess I'm Doing Fine, ending with the harmonium and Nobody's Fault. (A funny aside about that - as Beck's putting the
harmonium on a stool - a different spot for him - you may remember he had been setting it on the floor - a guy behind me goes, "What the hell is
that??" )So you can see that the set didn't contain any surprises, thus the slight disappointment. But as I say, he really was in fine
voice. At one point, somebody in the audience called out "I love you, Beck!" He said something like - "Hey Claudia, glad you could make
it." And then pointed elsewhere in the audience and called out - "Pauline - you're here!" Then somebody shouted out
"It's Jackie's birthday," and...Flaming Lips inspired?..he launched into a melodic version of Hap. Birth., just for the lucky
Jackie. At the beginning of his set, he talked about how Shelby Lynne's voice is totally amazing, and how he felt like his was a car that'd
been in the garage for a while and needed some warming up. I didn't think so - he sounded fine right off the bat. And man, Shelby flat-out kicked
ass. She came out by herself, with one guitar - her voice is truly amazing, and though she only did maybe four songs, there was variety in there, with
her final one being Patsy Cline-ish (she even said she wished Patsy Cline would have had the chance to sing it). I would say she impressed everybody
in the room - and had a cool new haircut to boot.
Let's see...Damien Rice was quite good - soulful, intense and incredibly grateful to KCRW for introducing him to America (he's Irish). He
had a wonderful waif-like female singer accompany him on some songs, and doing some solos. Plus a terrific cello player.
Jurassic 5 was a kick in the pants!! They were so much fun - they knew they were playing to a mostly white crowd - but got everybody up and
movin'-groovin'. They had amazing 'mix-masters' behind them. At one point the bass was booming so much - it was loud, but I'm
not sure if it was the volume or the note itself - probably both, I guess - that my jeans were vibrating! They were wonderfully engaging and so much
fun.
Liz Phair was pretty good - but she didn't come across nearly as strongly as Shelby. Let's see..oh yes..Jem is a very young singer from
Britain whom I'd heard on KCRW and thought she sounded a lot like Beth Orton, and that's how she sounded live. She was kind of awkward and
really adorable - she'd probably only played before hundreds of people before - not thousands. I didn't get a chance to stay and see
Polyphonic Spree, unfortunately. I was looking forward to them. But really a terrific evening - it was exciting to have so many people in one show,
and there was a revolving circular stage, so that the next act was completely ready to go
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